Though I’ll wager she used this passage, and we certainly ought to investigate it. ’ Gerald’s eyes never left the girl. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. ‘And so?’ she asked. I sent a message straight. ‘And that Suzanne, the sister of my cousin the vicomte, must choose between Monsieur Charvill and her brother. “That’s what you’re going to wear. She heard her husband’s heavy tread descending the stairs, and the wheels of his carriage as he drove off. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Why in heaven’s name didn’t I think of that before?’ ‘What are you talking of?’ ‘Never mind that now. There’s something—puppyish in a man’s usual attitude to women.
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