The big gray spaces of London, the shop-lit, greasy, shining streets, had become very remote; the biological laboratory with its work and emotions, the meetings and discussions, the rides in hansoms with Ramage, were like things in a book read and closed. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. You can’t look me in the eyes and say you don’t care for me. And, though neither peace nor innocence can be restored to my bosom; though tears cannot blot out my offences, nor sorrow drown my shame; yet, knowing that my penitence is sincere, I do not despair that my transgressions may be forgiven.
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