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“Ann Veronica,” he said, “I tell you this is love. " "In whose favour is it made?" he inquired, sternly. He must have been following her from room to room, silent in his stockinged feet. ” It was, Ann Veronica felt, at once absurd and extraordinarily right. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ” “Thank you,” Anna answered coldly.
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