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"What of that," rejoined Jonathan. ” “What do you mean—by too late?” he demanded. Shotbolt," cried the turnkey, "I've good news for you. I've got to know why. ‘You! Have you pen and paper?’ ‘Pen and paper now, is it?’ grumbled the old man as he shuffled down the hall. There is a musical programme, and we have the windows open and blinds up, and a pink lamp shade over the piano lamp—a sort of advertisement of the place, you know. "Weep on, reprobate," cried the carpenter, a little softened. ‘You talk together of me as if I am not there. “I suppose you’ll come to the point soon—if there is one. It isn’t as though I haven’t done well. He must win this man's confidence, even at the risk of being called mad.

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