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The little grating in the door, the sense of constant inspection, worried her. Wild had evidently discovered the body of Quilt Arnold, and was loudly expressing his anger and astonishment. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. Old Lancashire families both. In Darrell's open features, frankness and honour were written in legible characters; while, in Jack's physiognomy, cunning and knavery were as strongly imprinted.

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